Details
Melbourne / Naarm
7.30pm AEDT, Wednesday 11 February 2026
Sidney Myer Music Bowl
It’s game on. Press play and immerse yourself in a world where orchestral power meets digital fantasy. In his Australian debut, GRAMMY Award-winner Christian Reif leads Australia’s brightest young musicians into new musical territories as they conjure cinematic soundscapes and epic adventures through works by Anna Clyne, Nobuo Uematsu, Daniel Nelson, and Stravinsky.
Meet the Orchestra
Click on the orchestra sections in our interactive orchestra map below to find out more about the 2026 Australian Youth Orchestra artists.
- Upper Strings
- Lower Strings
- Woodwinds
- Harp & Keys
- Percussion
- Brass
Violin 1
Violin 2
Viola
Cello
Double Bass
Flute
Oboe
Clarinet
Angus Hall
Australian Youth Orchestra
Clarinet
AYO: 2026
Angus Hall
Australian Youth Orchestra
Angus Hall is a passionate clarinettist from Townsville in North Queensland. He discovered his love for the clarinet at the age of 7 after finding one in his Nan’s cupboard and hasn’t put it down since. Angus began his tertiary music studies at the Queensland Conservatorium Griffith University, studying with Paul Dean, and is currently completing his Bachelor of Music (Honours) at the University of Melbourne Conservatorium of Music, studying with David Griffiths. During his undergraduate studies, Angus received many scholarships and prizes, most recently the 2025 Taffy Gould and Jeffrey Rosenfeld Prize, and the 2025 Ormond Exhibitions Scholarship.
As a soloist, Angus has performed the 1st movement of Weber’s Clarinet Concerto No. 1 with the Queensland Youth Orchestra in 2023, and the Telemann Concerto for 2 clarinets at the 2025 Buffet Clarinet Week in Spain. Angus is an active member of the University of Melbourne’s Symphony Orchestra and Wind Symphony, and in 2025 was principal Eb clarinet for both ensembles. Angus has also performed in masterclasses with Juan Ferrer, Keith Lipson, Boris Allakhverdyan, and Yehuda Gilad. When not playing the clarinet, Angus enjoys going to the gym, and playing board games with his friends.
Jorja Withall
Australian Youth Orchestra
Clarinet
AYO: 2026
Jorja Withall
Australian Youth Orchestra
Gippsland-born clarinettist Jorja Withall is currently studying a Bachelor of Music at the University of Melbourne. From the age of nine, she has been drawn to the clarinet’s sound and expressive possibilities.
Jorja has performed as principal clarinet with the Melbourne Youth Orchestra, the University of Melbourne Symphony Orchestra, the University of Melbourne Wind Symphony, and the Royal Melbourne Philharmonic Orchestra. She attended the Australian Youth Orchestra National Music Camp in 2025 and looks forward to continuing her involvement with AYO in 2026.
She has performed internationally across Europe and Southeast Asia and has participated in masterclasses with José Franch-Ballester, Christian Stene, Edgar Heßke, Ma Yue, Yehuda Gilad, Sonia Sielaff, Philippe Cuper, Juan Ferrer, and Andrew Simon.
As a soloist, Jorja performed the Australian premiere of the Navarro Clarinet Concerto No. 2 with wind band. She also regularly performs professionally in chamber settings with well-known Australian musicians on both clarinet and bass clarinet.
In her spare time, Jorja enjoys long walks with her dog, horse riding, and spending time with friends.
Michael Beech
Australian Youth Orchestra
Clarinet
AYO: 2026
Michael Beech
Australian Youth Orchestra
Michael is a Melbourne-based clarinettist studying with David Griffiths. His musical journey began at the piano with his grandmother before developing into a passion for woodwind instruments, leading him to study oboe, bassoon, flute, saxophone, and ultimately clarinet. A dream in early high school prompted his switch from bassoon to clarinet, shaping his path as a multi-instrumentalist and influencing his choice of principal study at university.
Alongside his clarinet studies, Michael has continued playing the oboe, performing as principal oboe with the Melbourne Youth Orchestra in 2023 and touring Singapore and Malaysia with the Melbourne University Symphony Orchestra. He has also performed extensively in chamber ensembles through both his studies and with the wider musical community.
In 2024, Michael was awarded the Young Players Scholarship from the Percy Grainger Wind Symphony and was a finalist in the University’s Concerto and Aria Competition. In 2025, he received the Donald William
Thornton Bequest Scholarship in recognition of his academic excellence. Michael recently participated in the Australian Youth Orchestra’s 2026 National Music Camp and is excited to perform in the 2026 Summer
Season. Outside of music, he works in a pathology lab, searches for Melbourne’s best brunch spots, and enjoys spending time with his cat.
Bassoon
Arky Vogt
Australian Youth Orchestra
Bassoon
AYO: 2026
Arky Vogt
Australian Youth Orchestra
Arky began playing the flute at the age of twelve through his school’s band program, and picked up the bassoon a couple of years later, learning from Jordan London and Ben Hoadley in Canberra. He benefited greatly from the ANU Open School of Music’s Developing Musicians Program, which gave him the opportunity to play in a variety of chamber ensembles with frequent performance opportunities. Additionally, he had the opportunity to play bassoon in the ANU Orchestra throughout high school, where he could learn from high level musicians from a young age.
In 2024, Arky began studying a Bachelor of Music at the Melbourne Conservatorium of Music, studying bassoon performance under Lyndon Watts. Recent highlights include the 2026 AYO National Music Camp, and performing with the University of Melbourne Symphony Orchestra.
Sam Battock
Australian Youth Orchestra
Bassoon
AYO: 2026
Sam Battock
Australian Youth Orchestra
Sam Battock is a bassoonist from Brisbane, now based in Melbourne. She received a Bachelor of Music (Performance) from the Queensland Conservatorium of Music (QCGU) in 2022 with guidance from David Mitchell (QSO). In 2024 she relocated to Melbourne where she is currently completing a Master of Music (Orchestral Performance) studying under Lyndon Watts (OV).
Sam has had the opportunity to explore a variety of ballet and opera parts through playing in Orchestra Victoria, Ballet Theatre Queensland (BTQ) and university productions. Recent highlights include playing in Victorian Opera’s Abduction with Orchestra Victoria and Prokofiev’s Cinderella with BTQ.
During her studies Sam has performed as Principal Bassoon and Principal Contrabassoon with the Conservatorium Symphony Orchestra (QCGU) and University of Melbourne Symphony Orchestra. Through participating in side-by-side projects at QCGU and UniMelb, she has played alongside members of the Australian String Quartet, Ensemble Q, Melbourne and Queensland Symphony Orchestras, and Orchestra Victoria.
Sam also enjoys chamber music performance and has participated in various chamber ensembles for almost 10 years. She recently played in Noosa Chamber Music’s first 2026 concert, exploring a program of mostly French music for wind quintet.
Away from the bassoon, Sam can be found reading or rollerskating.
Honoka Hidai
Australian Youth Orchestra
Bassoon
AYO: 2026
Honoka Hidai
Australian Youth Orchestra
Honoka Hidai is a 16-year-old Japanese-Australian bassoonist based in Brisbane. She began playing the bassoon at age seven. Originally from Cairns, Honoka relocated to Brisbane to pursue broader musical opportunities and further her training. She currently studies under bassoon teacher Nicole Tait. In 2025, Honoka was a finalist in the Young Instrumentalists Prize competition. She has a strong interest in orchestral performance and is dedicated to continuing her development as a bassoonist through both ensemble and solo work.
Harp
Myiesha Maisuria
Australian Youth Orchestra
Harp
AYO: 2026
Myiesha Maisuria
Australian Youth Orchestra
Brisbane-based harpist Myiesha Maisuria has been captivated by the harp since the age of 8, starting on the Celtic lever harp before advancing to the pedal harp at the age of 13. She is currently a first-year Bachelor of Music student at the Queensland Conservatorium and is excited to continue her journey of musical development. Myiesha is mentored by renowned soloist and chamber musician Emily Granger, the current principal harpist of the Queensland Symphony Orchestra. As an experienced orchestral musician, Myiesha has performed as principal harp of Queensland Youth Symphony and Brisbane Philharmonic Orchestra, while participating in an Australian Youth Orchestra Season, two National Music Camps and the Young Symphonists program. Keen to explore a variety of different genres, Myiesha has also played in musicals produced by Lynch & Paterson and performed in the 4MBS Opera Gala in partnership with Ensemble Q. As a soloist, Myiesha has won first prize in Harp Society of Queensland competitions and regularly volunteers to perform at their community events.
Piano
Reuben Johnson
Australian Youth Orchestra
Piano
AYO: 2026
Reuben Johnson
Australian Youth Orchestra
Reuben Johnson is an Australian pianist and organist who has repeatedly proved himself as a versatile and sensitive musician in both collaborative and solo endeavours. Reuben graduated from the Australian National Academy of Music in 2024, studying piano with Timothy Young, and holds a Bachelor of Music from Griffith University, Queensland, from 2021. Reuben has also received mentorship from Paavali Jumppanen and Daniel de Borah.
Reuben is currently the organist at Newman College, Melbourne, where he sees frequent solo appearances on both piano and organ, as well as regular work with the college choir. 2025 has also seen appearances as a Keys 1 player in Melbourne’s production of Footloose the Musical; pianist for the Australian Youth Orchestra’s Summer Season in 2025 and 2026; and performances as an ANAM alum in Pierre Boulez’s Flute Sonatine and Felix Mendelssohn’s Piano Trio No. 2 in C Minor.
Reuben is an advocate for Australian Music and has performed and recorded the of works by numerous composers including Roger Smalley, Liza Lim, Paul Dean, Brett Dean and Christopher Wilcock; as well as world premieres of works by Nicole Murphy, Frankie Dyson Reilly, Christopher Sainsbury and Po Goh.
Reuben has consistently won awards from national and international events. These include: winner of the best chamber performance at ANAM in 2024, for Smalley’s Horn Trio with, Maddie Aarons and Liam Pilgrim; The Ursala Hoff award for the best performance of a classical work in an ANAM recital in 2022; and first prize in the university category of the Bolder Bach Festival’s Online Bach Competition 2020, where he was the only Australian prize-winner.
Timpani
Matthew Arnold
Australian Youth Orchestra
Timpani
AYO: 2026
Matthew Arnold
Australian Youth Orchestra
Matthew is a 19-year-old percussionist, timpanist, and drummer based in Perth. He is currently undertaking a Bachelor of Music performance in classical percussion at the University of Western Australia and has recently completed his first year of study under the tutelage of Dr. Paul Tanner.
Growing up in a noisy musical household in the suburbs, he decided to play percussion in order to be even louder and more rambunctious than his other three siblings. With the guidance of his parents and teacher Marcus Perozzi, he began learning through his primary school at the age of 10.
He graduated Perth Modern School in 2024 with various accolades, including the WA ATAR Music subject exhibition, Dettman Music Scholarship, and Instrumental Music Student Award. He is also the inaugural (2025) recipient of the Christine Morhall Scholarship in Music at UWA, following a season as principal percussion & timpani in the WA Wind Symphony.
Matthew is a versatile and multi-faceted player with a strong passion for almost any kind of music. His playing experience includes orchestras, wind orchestras, brass bands, musicals, jazz big bands, pop rock cover bands, and anything else he can find his way into in the future. He is delighted to be a part of AYO’s flagship orchestra in 2026.
Percussion
Nathan Herbert
Australian Youth Orchestra
Percussion
AYO: 2026
Nathan Herbert
Australian Youth Orchestra
Nathan Herbert is an orchestral percussionist and timpanist from Perth, Western Australia. In 2024 Nathan graduated with a Bachelor of Music from the University of Western Australia – Conservatorium of Music under the tutelage of WASO Principal Percussionist Brian Maloney. In 2025 Nathan completed a Bachelor of Music (Degree with honours) from the University of Melbourne under the tutelage of MSO Principal Percussionist Shaun Trubiano.
He has received multiple awards and scholarships throughout his percussion career so far including the UWA Delano scholarship (2022), 1st prize in the ensemble category of the Marimbafest Australia competition (2022), Top 4 in the Melbourne Symphony Orchestra Snare Drum Competition (2024) and 2nd place in the UWA Waveney Wansborough Competition (2024).
Nathan has performed in principal positions in both the UWA Symphony Orchestra, the University of Melbourne Symphony Orchestra and the West Australian Wind Symphony and was a member of the Western Australian Youth Orchestra from 2021 to 2024. He has also been involved in multiple collaborations with West Australian Opera and the West Australian Symphony Orchestra.
In 2025 Nathan was a participant on AYO’s National Music Camp and a member of AYO’s flagship symphony orchestra where he had the privilege to be a part of the Australian Youth Orchestra International Tour performing in Europe’s most renowned concert halls including the Musikverein and the Concertgebouw. Nathan also participated in the AYO professional immersion program culminating in a successful casual audition with the Adelaide Symphony Orchestra.
Felix Gilmour
Australian Youth Orchestra
Percussion
AYO: 2026
Felix Gilmour
Australian Youth Orchestra
Felix Gilmour is a percussionist and drummer currently living and studying in Melbourne. Since he was in primary school, learning music has always been an integral part of his life, taking private lessons for piano, drums, concert percussion, music theory, and composition, all the way from prep to year 12. Felix is currently studying classical percussion and timpani with Brent Miller and Shaun Trubiano at the Melbourne Conservatorium of Music.
Felix is experienced in orchestral and concert music, having been a member of the Melbourne Youth Orchestras programme from 2018 to 2023. Felix is currently a member of the University of Melbourne Symphony Orchestra and the University of Melbourne Wind Symphony, as well as a member of the MCM’s percussion ensemble ‘MYRIAD’. Some recent highlights include attending the 2026 AYO National Music Camp, completing an east coast tour with the University of Melbourne Wind Symphony as principal percussion in 2025, and winning the 2024 MSO Snare Drum Award.
Felix’s love for hitting things musically extends far beyond the orchestra. Coming from a drumming background, Felix will always be a drummer at heart, attending jam sessions throughout Melbourne and also being active in the musical theatre scene. In 2025, Felix was active as a recording artist, having played on new albums by Kutcha Edwards and Oliver Downes.
Bryn Wood
Australian Youth Orchestra
Percussion
AYO: 2026
Bryn Wood
Australian Youth Orchestra
Bryn hails from Goulburn, NSW and has just finished his fourth year at the Sydney Conservatorium of Music (SCM) studying a Bachelor of Music (Orchestral Percussion) under several different percussionists including:
- Kevin Man – Associate Principal Percussion, Opera Australia
- Mark Robinson – Associate Principal Timpani/Section Percussion, Sydney Symphony Orchestra
- Ian Cleworth – Ex-Principal Percussion, Sydney Symphony Orchestra & Co-Founder, Taikoz
- Antoine Siguré – Principal Timpani, Sydney Symphony Orchestra
Notable performances from Bryn in his time with SCM include:
- SCM Wind Symphony’s Tour to Japan and South Korea in 2024.
- SCM New Music Ensemble’s program on 19th September 2025 conducted by Sam Weller, performing for Simone Young in celebration of her receiving an honorary doctorate from Sydney University.
As well as this, he has had the opportunity to play with a number of ensembles in Sydney including Sydney Youth Orchestra, ARCO Young Mannheim Symphonists, Sydney Concert Orchestra, Western Sydney Philharmonic Chamber Orchestra, Sydney City Brass Band, Australian Indian Orchestra, Australian Vietnamese Youth Orchestra, and more.
This is Bryn’s second year with Australian Youth Orchestra, and he is excited to be
joining the flagship orchestra for the first time.
Horn
Henry Eames
Australian Youth Orchestra
Horn
AYO: 2026
Henry Eames
Australian Youth Orchestra
Melbourne-born horn player Henry Eames is a graduate of Monash University, where he completed a Bachelor of Music and an Honours degree in Secondary Education in 2025. He began learning horn from Yang Xiao from 2014-2021, and Roman Ponomariov from 2022-2025.
Henry is quickly establishing himself as an emerging orchestral and chamber musician in Australia. He holds a casual position with the Melbourne-Symphony Orchestra and Melbourne Opera and has performed extensively as a freelance musician across Melbourne. He has appeared with ensembles including the Australian Youth Orchestra, performing in the 2025 National Music Camp and Chamber Players, and previously with the Monash Academy Orchestra, where he was Principal Horn for 4 years. Henry also performs regularly with the Noctus Horn Trio and the Zyphers Wind Quintet, exploring both core repertoire and contemporary Australian works.
Henry has been recognised through numerous awards, including being a finalist in the Monash University Concerto Competition for three consecutive years (2023-2025), a finalist in the 3MBS Young Talent Competition (2024), winner of the Monash Australian Music Prize (2024), runner up for the Allan Zavod Competition (2024 and 2025) and recipient of the Monash Academy of Performing Arts Orchestral Scholarship (2022).
Outside of music, Henry enjoys playing golf, catching big fish, cooking and is passionate about music education.
In 2026, Henry will be undertaking his first year of studies at ANAM under Carla Blackwood and Ben Jacks.
Jude Austen Kaupe
Australian Youth Orchestra
Horn
AYO: 2026
Jude Austen Kaupe
Australian Youth Orchestra
Jude Austen Kaupe completed his Bachelor of Music at Queensland Conservatorium Griffith University before continuing his honours study at the Sydney Conservatorium of Music, graduating in 2025. At these institutions he has been under the tutorage of esteemed horn players Rachel Silver, Peter Luff and Ysolt Clark.
As an active freelancer in Sydney and Brisbane, Jude has the privilege of working with world class orchestras such as the Queensland Symphony Orchestra and Camerata Chamber Orchestra. Jude’s passion for music continues with his deep involvement with chamber groups. He is a member of up and coming Orpheus Quintet, AFCM Fellowship ensemble for 2026, and has featured as an artist at Tyalgum Chamber Music Festival. In 2023, he competed at the International Horn Symposium in Montreal, winning the Horn Ensemble competition with renowned QHorns.
Whilst Jude invests much of his time into musical endeavours, he also enjoys spending time at Sydney’s beaches, playing soccer with friends and home-brewed morning coffees.
Sarah Bernard
Australian Youth Orchestra
Horn
AYO: 2026
Sarah Bernard
Australian Youth Orchestra
Sarah Bernard first started learning piano at the age of five, however, she truly discovered her passion for music after choosing to play the horn at school.
She recently completed her Bachelors of Music Performance with Honours at the Sydney Conservatorium of Music, under the tutelage of Rachel Silver and Michael Wray.
Sarah has been the recipient of the Richard Merewether Horn prize at the Sydney Conservatorium in 2023 and 2024. Sarah has served as principal horn on the Sydney Conservatorium’s International Wind Symphony tour, as well as in their Symphony Orchestras. She has also been lucky enough to take part in the Australian Chamber Music Festival Pathways Program, as a member of Infront Brass. Sarah has the privilege of performing with the Sydney Symphony Orchestra. She was a participant of AYO National Music Camp in both 2025 and 2026 and looks forward to performing with the Australian Youth Orchestra flagship orchestra.
Lucy Smith
Australian Youth Orchestra
Horn
AYO: 2026
Lucy Smith
Australian Youth Orchestra
Lucy Smith is currently studying at the Sydney Conservatorium with Rachel Silver and Sam Jacobs. First learning the piano and trumpet, Lucy began learning the horn in late high school with Rafael Salgado, instantly falling in love with it. Upon finishing school in Sydney, she moved to Melbourne for 3 years, learning from Carla Blackwood at the Melbourne Con. Lucy has been lucky enough to play casually with the Sydney Symphony Orchestra, Opera Australia Orchestra, and Orchestra Victoria. She loves the teamwork required to play in a horn section and hopes to one day be part of an Australian orchestra. While obviously loving the late-romantic, horn-heavy works of Mahler and Strauss, Lucy also has a particular soft spot for Mozart and Haydn symphonies and will often finish off her day with Mozart’s ‘Jupiter’ Symphony blasting through the speakers in her practice room, playing along with the second horn part. Lucy has a keen interest in early music and her ultimate dream would be to get to play with some of the incredible period instrument ensembles we have in Australia.
Thomas Ferriera-Montague
Australian Youth Orchestra
Horn
AYO: 2026
Thomas Ferriera-Montague
Australian Youth Orchestra
Thomas Ferreira-Montague is a dedicated young horn player from Brisbane, currently completing his Bachelor of Music (Honours) at the Queensland Conservatorium Griffith University (QCGU) under the mentorship of Associate Professor Peter Luff and Ms Ysolt Clark. A finalist in 2025 QCGU XO Brass Prize, Thomas enjoys playing a wide range of music that includes solo, chamber and symphonic works.
Thomas has been fortunate enough to have performed with ensembles such as the Queensland Symphony Orchestra, Camerata – Queensland’s Chamber Orchestra, Southern Cross Symphony, The Metropolitan Orchestra Brisbane, Ensemble Q, Queensland Ballet and Opera Queensland (OQ). As well as that, Thomas is currently the Principal Horn of the Queensland Youth Symphony (QYS), a member of the Queensland Wind Orchestra, as well as playing principal positions with the Queensland Conservatorium Symphony Orchestra.
Thomas has also been fortunate to tour and perform in the Queensland Outback with OQ and has toured internationally to Singapore, Austria and Germany playing in renowned concert halls like the esteemed Musikverein with QYS. He has also had the privilege of participating in masterclasses with internationally renowned horn players Sarah Willis, Katy Wooley and Andrew Bain.
In his spare time, he enjoys spending time with friends, going on runs, being outdoors and perfecting making coffee.
Trumpet
Matthew Hyam
Australian Youth Orchestra
Trumpet
AYO: 2026
Matthew Hyam
Australian Youth Orchestra
Matthew Hyam is a trumpet player from Nowra, NSW. He began playing trumpet in 2016 in his Year 6 concert band under the guidance of John Dunstan. He is currently in his fourth year at the Sydney Conservatorium of Music working towards completing his BMus (Performance) Degree under Dave Elton and Owen Morris.
Matthew has been an avid orchestral trumpet player since he began in the Shoalhaven Youth Orchestra in 2017. Since 2021 he has been a participant in the Sydney Youth Orchestras and from 2023-2025 was in their flagship ensemble. Since 2024 he has been a member of Australian Youth Orchestra and in 2026 will perform as Principal Trumpet at National Music Camp as well as their Summer Season. Matthew is also a regular casual with both the Sydney Symphony Orchestra and Opera Australia performing in exciting programs such as Janacek Sinfonietta in 2025 with SSO and OA’s upcoming season of Turandot.
Outside of his Orchestral playing, Matthew is a passionate Brass Bander and regular member of the Willoughby Band where he has performed as both Principal and Soprano Cornet. He has been given opportunities to perform internationally with several ‘project’ bands such as Brass Band Newcastle in 2025 for the New Zealand National Band Championship. Matthew has also been selected as Repiano Cornet for Australia Brass which will compete at the World Music Contest 2026 in Kerkrade, Netherlands.
Toby Rands
Australian Youth Orchestra
Trumpet
AYO: 2026
Toby Rands
Australian Youth Orchestra
Toby will graduate from the Sydney Conservatorium of Music in 2026, having studied with Owen Morris and David Elton.
Making his trumpet debut in year 3 concert band, he joined the Sydney Youth Orchestra family in 2017 (starting out in the Symphonic Wind Ensemble, led by then-teacher James Pensini). SYO highlights include Owen Morris’ performance of the Haydn Trumpet Concerto in the Sydney Opera House (listening on and playing from the orchestra), and Toby’s final concert as a member of the SYO, performing Mahler’s Seventh Symphony.
Under the guidance of long-time-mentor Daniel Mendelow, Toby successfully auditioned for his first AYO camp in 2022. Recently, he has had the privilege of performing with the Sydney Symphony Orchestra, twice alongside his brother Cooper.
When not performing, Toby enjoys teaching at The Kings’ School, Santa Sabina College, and St Aloysius’ College. When not thinking about music, he can be found eating and sometimes sleeping.
Zachary Allen
Australian Youth Orchestra
Trumpet
AYO: 2026
Zachary Allen
Australian Youth Orchestra
Zachary Allen’s love for music began at the age of six, when he and his brother, growing up in a world filled with LEGO, were encouraged to learn piano. Although initially reluctant, music soon became integral to their lives, leading them to take up the trumpet. His first performance was a bold attempt at “Greensleeves,” which went well except for the last note… In time, he and his brother began playing duets for friends and neighbours and joined the Tasmanian Youth Orchestra’s Wind Ensemble, eventually becoming co-principal trumpet in the flagship orchestra. It was here that his passion for music flourished as he performed iconic orchestral excerpts.
At 12, Zachary was awarded the Tasmanian Symphony Orchestra’s Aviva Scholarship, allowing him to study with Principal Trumpet Yoram Levy. By this point, he had saved enough prize money from Eisteddfod wins to purchase his own Bach Stradivarius trumpet. At 16, he successfully auditioned for his first national youth orchestra, a milestone that significantly advanced his musical development.
Currently, Zachary is pursuing a double degree in music and physics at the University of Tasmania. Inspired and driven by music, he dreams of performing as a soloist and becoming a principal trumpet in a leading orchestra.
Trombone
Toby Sward
Australian Youth Orchestra
Trombone
AYO: 2026
Toby Sward
Australian Youth Orchestra
Toby is a second year musician at ANAM studying under ASO principal trombone Colin Prichard. Before beginning his studies at to ANAM Toby completed a Bachelor of Music with Honours degree at the University of Melbourne under Professor Don Immel, and earlier, a Bachelor of Music at the University of Tasmania studying under David Robins.
With a love for performing orchestral music, Toby has previously had opportunities to perform alongside the Tasmanian Symphony Orchestra, the University of Melbourne Symphony Orchestra and has been involved in several past programs with the Australian Youth Orchestra. Of these experiences he has most enjoyed performing ballet suites of Stravinsky and Prokofiev.
Photography: Pia Johnson
Luke Berlee
Australian Youth Orchestra
Trombone
AYO: 2026
Luke Berlee
Australian Youth Orchestra
Luke is a young trombonist heading into his third year at the Sydney Conservatorium of Music, studying under Nigel Crocker and Scott Kinmont. After his preliminary piano exam at 8 years old, he was determined to learn another instrument that could “do everything”. After some exploration Luke decided on the trombone because he loved its low sound. The trombone has captivated him ever since.
While at the Sydney Conservatorium, Luke has performed extensively with the Symphony Orchestra, Wind Symphony, Opera Orchestra and Brass Ensemble. In his first year, he was selected to tour with the Sydney Conservatorium’s Wind Symphony to Japan and South Korea. Luke also plays the alto sackbut in the Conservatorium’s Cornett and Sackbut group under Matthew Manchester. Outside of the Conservatorium, Luke has seen great competition success, winning the NSW State Band Solos Open Tenor Trombone category in 2025 and placing third in the National Band Championships Open Tenor Trombone category in 2025. He performs and competes with the Castle Hill RSL Northwest Wind Ensemble and Willoughby Brass Band.
This is Luke’s first program with AYO and he is super keen to share his love of music with fellow young Australian musicians.
Bass Trombone
Angus Hood
Australian Youth Orchestra
Bass Trombone
AYO: 2026
Angus Hood
Australian Youth Orchestra
From the sweeping drama of The Firebird Suite to the pixelated magic of Final Fantasy IX, this concert blurs the boundaries between classical tradition and gaming imagination, blending the fantasy of late Romanticism with the restless and expansive soundscapes of digital worlds.
The program opens with Anna Clyne’s This Midnight Hour, a brooding and cinematic work inspired by poetry and film. Its swirling textures and dramatic surges evoke a sense of mystery and nocturnal adventure – setting the stage for a night of sonic storytelling.
From there, we enter the world of gaming with Nobuo Uematsu’s Final Fantasy IX Suite, a symphonic arrangement of themes from the iconic video game. Uematsu’s music is beloved for its emotional depth and sweeping grandeur, and this suite captures the heart of the game’s fantasy universe – where heroism, nostalgia, and magic collide.
Daniel Nelson’s Steampunk Blizzard injects a burst of mechanical energy and playful chaos. With its driving rhythms and quirky orchestration, it conjures a snowstorm in a fantastical, gear-driven world – a perfect nod to the imaginative landscapes of gaming and speculative fiction.
The concert concludes with Stravinsky’s The Firebird Suite (1945), a dazzling reworking of his ballet score based on Russian folklore. This version balances brilliance with clarity, offering a triumphant finale that bridges myth and modernity.
Christian Reif brings his dynamic artistry and global experience to this genre-blending program, guiding the orchestra through a thrilling journey of sound and imagination. Presented as part of the Melbourne Symphony Orchestra’s Sidney Myer Free Concert Series, don’t miss this thrilling celebration of youthful artistry, steampunk storms and midnight adventures. Game on – this is symphonic fantasy at its finest.
Repertoire
subject to change
Daniel NELSON Steampunk Blizzard
Anna CLYNE This Midnight Hour
Nobuo UEMATSU, arr. ANKARBLOM Final Fantasy IX Suite
STRAVINSKY The Firebird Suite (1945)
Digital program
Guest Artist
Christian Reif
Conductor
Christian Reif
Conductor
Chief Conductor of the Gävle Symphony Orchestra in Sweden, Christian Reif has established a reputation for hisnatural musicality, innovative programming and technical command.
Since 2022, Reif has served as Music Director of the Lakes Area Music Festival, a month-long summer festival in Minnesota featuring the nation’s top classical performers in programming that ranges from opera and chamber music to symphonic performances along with commissioned new works. LAMF believes that high quality arts experiences should be accessible to all and operates on a name-your-price ticket model.
Highlights of Reif’s 2025/26 season include debut performances with the Nashville Symphony, The Florida Orchestra, Danish Chamber Orchestra, Latvian National Symphony Orchestra, and Australian Youth Orchestra. Here turns to conduct the Houston Symphony, National Arts Centre Orchestra in Ottawa, Canada, Netherlands Radio Philharmonic, Belgrade Philharmonic, and National Radio Orchestra of Romania.
With an equal footing in North America and Europe, Reif has conducted the symphony orchestras of San Francisco, Baltimore, Dallas, Houston, St. Louis, Cincinnati, Milwaukee, Indianapolis, and Kansas City, St. Paul Chamber Orchestra and Orchestra of St. Luke’s. Previous season highlights include appearances with the Los Angeles Philharmonic, Detroit Symphony, SWR Symphony, and Royal Northern Sinfonia. In Europe, he has performedrepeatedly with Orchestre National de Lyon, Royal Scottish National Orchestra, Münchner Rundfunkorchester,Hallé Orchestra and Stavanger Symphony.
Reif enjoys conducting opera and has led productions at the Music Academy of the West of Don Giovanni, Juilliard Opera of The Merry Wives of Windsor, Opera San Jose of Leoncavallo’s Pagliacci and the Lakes Area Music Festival of Ariadne auf Naxos, The Rake’s Progress, and Hansel and Gretel.
In 2024, Reif won a GRAMMY® for the Nonesuch Records album Walking in the Dark, the debut solo album of classical singer Julia Bullock in which he accompanied her on piano and led London’s Philharmonia Orchestra. The album was praised by Gramophone Magazine as “illuminating” and described Reif as providing “excellent support” for Bullock. In 2020 during the pandemic, Reif and Bullock recorded a series of at-home virtual “Songs of Comfort”, ranging from Carole King’s classic “Up on the Roof” to Schubert’s Wanderers Nachtlied. NPR Music featured the duo in a “Tiny Desk Concert” for their special quarantine edition of the series, and The New York Times highlighted them on their “Best Classical Music of 2020” list.
From 2016 to 2019, Christian was Resident Conductor of the San Francisco Symphony and Music Director of the San Francisco Symphony Youth Orchestra, after being the Conducting Fellow at the New World Symphony from 2014 to 2016 and at Tanglewood Music Center in 2015 and 2016. He studied conducting at the Mozarteum in Salzburg and at The Juilliard School in New York City. He resides in Munich with his wife Julia Bullock and their son.
Anna Clyne
Composer
Anna Clyne
Composer
Described as a “composer of uncommon gifts and unusual methods” by the New York
Times and as “fearless” by NPR, GRAMMY-nominated Anna Clyne is one of the most in demand composers today, working with orchestras, choreographers, filmmakers, and visual
artists around the world.
Clyne has been commissioned and presented by the world’s most dynamic and revered arts
institutions, including the Barbican, Carnegie Hall, Los Angeles Philharmonic, MoMA,
Philharmonie de Paris, Royal Concertgebouw Orchestra, San Francisco Ballet, and the Sydney
Opera House; and her music has opened such events as the Edinburgh International Festival,
The Last Night of the Proms, and the New York Philharmonic’s season. The World Economic
Forum commissioned Clyne’s Restless Oceans, which was premiered by an all-women
orchestra, led by Marin Alsop, at the opening ceremony in Davos.
Clyne often collaborates on creative projects across the music industry, including Between the
Rooms, a film with choreographer Kim Brandstrup and LA Opera, as well as the Nico Project at
the Manchester International Festival, a stage work about pop icon Nico’s life that featured
Clyne’s reimagining of The Marble Index for orchestra and voices. Clyne has also reimagined
tracks from Thievery Corporation’s The Cosmic Game for the electronica duo with orchestra,
and her music has been programmed by such artists as Björk. Other recent collaborators
include such notable musicians as Jess Gillam, Jeremy Denk, Martin Fröst, Pekka Kuusisto,
and Yo-Yo Ma.
Clyne’s works are frequently choreographed for dance, with recent projects including the world
premiere of choreographer Pam Tanowitz’s dance set to Breathing Statues for the Royal Ballet
in London and performances of DANCE by the San Francisco Ballet with choreography by
Nicolas Blanc.
Her fascination with visual art as both an observer and an artist has inspired several projects.
Works by Gerhard Richter and Mark Rothko inspired ATLAS and Color Field, respectively,
whilst five contemporary artworks sparked the creation of Abstractions. For her recent
composition PALETTE, Clyne created seven abstract paintings herself, each correlating to a
movement of the work, which were exhibited as part of the JuilliART program at The Juilliard
School from August–October 2025.
In addition, Clyne embraces innovation through new technology, developing the Augmented
Orchestra (AO) with sound designer Jody Elff; the technology expands the sound-world of the
orchestra through computer-controlled processes. AO has now featured in three works,
premiered in Wild Geese at the 2023 Cabrillo Festival, featured in The Gorgeous Nothings at
the BBC Proms 2024 and highlighted in PALETTE, the first Concerto for Augmented Orchestra,
which made its debut in February 2025 with the St Louis Symphony Orchestra.
Clyne has worked with orchestras across the world as Composer in Residence. These have
included the Baltimore Symphony Orchestra, BBC Philharmonic, Chicago Symphony Orchestra,
Helsinki Philharmonic Orchestra, L’Orchestre national d’Île-de-France, Philharmonia Orchestra,
Scottish Chamber Orchestra, Symphony Orchestra of Castilla y León, and the Trondheim
Symphony Orchestra. Clyne is a Cultural Fellow at the Stephen A. Schwarzman Centre, a new
world-class centre for the Arts and Humanities at the University of Oxford for the 2025-26
season.
Clyne’s music is represented on several labels, including the 2025 album, Abstractions, on
Naxos featuring the Baltimore Symphony Orchestra conducted by Marin Alsop. Previous portrait
albums include SHORTHAND (2024, Sony Classical) with performances by The Knights, Avi
Avital, Pekka Kuusisto, Colin Jacobsen, and Yo-Yo Ma, in addition to Mythologies (2020, Avie)
with the BBC Symphony Orchestra and four internationally acclaimed conductors: Marin Alsop,
Sakari Oramo, Andrew Litton, and André de Ridder. Her cello concerto, DANCE, which was
recorded by soloist Inbal Segev, the London Philharmonic Orchestra, and Marin Alsop, has
garnered over 12 million plays on Spotify.
Clyne is deeply committed to music education and to supporting and mentoring the next
generation of composers. She has taught master classes and workshops throughout the US
and internationally and was the founding mentor for the Orchestra of St Luke’s Degaetano
Composition Institute, the Scottish Chamber Orchestra’s New Stories program, and the
Berkeley Symphony Orchestra’s Emerging Composers Program