Violist Tahlia Petrosian enjoys a multi-faceted career as a soloist, chamber musician, director of KLASSIK underground, creative producer and member of the Gewandhaus Orchestra Leipzig.
As a soloist and chamber musician, Tahlia has performed in Wigmore Hall, the Sydney Opera House, the Semperoper Dresden, the Berliner Philharmonie, the Gewandhaus Leipzig, at Tanglewood Music Center, and directly on 5th Avenue in New York. Her chamber music partners have included Leif Ove Andsnes, Joshua Bell, Gautier Capuçon, Leonidas Kavakos, Antoine Tamestit and Nikolaj Szeps-Znaider.
Having studied with Tabea Zimmermann and Wilfried Strehle in Berlin, Tahlia’s individual playing style has been recognised with prizes including an Artist Development Award from the Australia Council and the Australian Music Foundation Prize in London. In addition, she has received awards from the Paul Hindemith Gesellschaft in Berlin, the DAAD and the Dame Joan Sutherland Fund in New York.
A member of the Gewandhaus Orchestra since 2012, Tahlia also performs with the Australian World Orchestra. She has taught at the Guildhall School in London and the Australian National Academy of Music in Melbourne.
Tahlia is much sought after as a consultant and creative producer for leading orchestras and arts organisations. In 2016, Tahlia created KLASSIK underground, which has since been profiled in publications from New York’s Travel and Leisure Magazine to the Financial Review and the Japan Times. In 2019, Tahlia took on the role of Creative Producer at HarrisonParrott in London, where she developed special projects for institutions including Tate Modern and the BBC, and was the producer for the highly successful 50 Years in a Day concerts at Southbank Centre for the 50th anniversary of HarrisonParrott. Also in 2019, Tahlia directed the national music programs of the Norwegian arts organisation, Talent Norge.
In 2021, Tahlia created the new online concert format, Resonate, in collaboration with the Goethe Institute, the Karajan Institute and Symmetrica Creative Technology. Also in 2021, Tahlia conceptualised and produced three concert films based on Dante’s Divina Commedia, featuring musicians of the Gewandhaus Orchestra. These films were presented in German cinema and in Australia by the Italian Cultural Institute.
Tahlia has been a guest speaker at the Karajan Conference Salzburg, the ARTS+ Conference Frankfurt and the Avant Première Music + Media Market Vienna. In 2022, Tahlia was a guest speaker at the national Deutscher Orchestertag in Berlin and at the Edinburgh International Culture Summit at the Scottish Parliament.
Born in Sydney, Tahlia initially studied Law in Australia, completing her studies two years early and winning multiple university prizes. Tahlia also studied Law at Humboldt University in Berlin. Her academic work has been published in the Australian Journal of International Law and has been cited in publications and by institutions including the Chicago Journal of International Law, the Washington College of Law and the International Criminal Tribunal for Rwanda. Tahlia speaks French, German and Mandarin.