Colour, Sound, Lore
Under the inspiring leadership of maestro David Robertson (New York Philharmonic, Sydney Symphony Orchestra), 100 of Australia’s finest musicians round out their dazzling European tour with this encore performance.
Mendelssohn’s Violin Concerto radiates irresistible charm. Hailed by the legendary violinist Joseph Joachim as ‘the heart’s jewel’ of all concertos, this masterpiece seamlessly blends the fiery passion of Romanticism with Classical elegance. The exceptional Australian violinist Christian Li will perform on his 1737 ex-Paulsen Guarneri del Gesù violin alongside the nation’s rising stars, bringing to life the concerto’s shimmering melodies and playful dialogue between soloist and orchestra.
Let Rimsky-Korsakov’s Scheherazade whisk you away to the magical world of One Thousand and One Nights. Imagine the solo violin as Scheherazade herself, spinning tales of adventure and intrigue with every intricate phrase. The orchestra crafts a vivid soundscape, with the Sultan’s imposing presence evoked by the deep, resonant tones of the low brass and woodwinds while lively folk melodies dance through the air. As the suite unfolds, these themes intertwine, creating a captivating narrative that pulls you into its spell. The journey concludes with a delicate solo violin epilogue, leaving you with a lingering vision of Scheherazade, her stories continuing to enchant and inspire.
Earth Cry is a powerful reflection of the deep connection between the Australian landscape and its people. Inspired by the respect First Nations peoples have shown for the land over millennia, Sculthorpe composed this piece to evoke Australia’s spiritual essence. With Kalkadunga man William Barton as soloist, Earth Cry gains new depth. Barton’s mastery of the didgeridoo and his cultural heritage breathe life into the music, transforming it into a ceremonial experience that bridges classical music and First Nations storytelling. Barton’s performance ensures this piece resonates on a profound level, embodying the voices of the land and its people.
Award-winning composer Alice Chance’s Through Changing Landscapes is imbued with fresh meaning as the tour concludes. As Alice puts it, this piece is “a love letter to train journeys,” capturing the playful magic of watching the world transform through a single pane of glass. Using a sustained static pitch, Chance evokes the constant amidst the flux, reflecting not just the shifting scenery but the profound journey of life itself. This piece invites you to reflect on the landscape of a lifetime, shaped by every experience and interaction along the way.
“We are so fortunate to have an organization like the Australian Youth Orchestra that can enable tomorrow’s phenomenal talents, giving them such fantastic opportunities as this international tour. I couldn’t be more thrilled and excited to have this opportunity to work with Australia’s finest young musicians!” – Maestro David Robertson
Hear and feel the energy of the Australian Youth Orchestra direct from Europe in 2025.
REPERTOIRE
(subject to change)
ALICE CHANCE Through Changing Landscape
SCULTHORPE Earth Cry
MENDELSSOHN Violin Concerto in E minor
RIMSKY-KORSAKOV Sheherazade
Artists:
Conductor
David Robertson – conductor, artist, composer, thinker, American musical visionary – occupies the most prominent podiums in orchestral and new music, and opera. He is a champion of contemporary composers, and an ingenious programmer. Robertson has served in numerous leadership positions, including Chief Conductor and Artistic Director of the Sydney Symphony Orchestra, a transformative 13-year tenure as St. Louis Symphony Orchestra Music Director, with Orchestre National de Lyon, BBC Symphony Orchestra, and, as protégé of Pierre Boulez, Ensemble InterContemporain. He appears with the world’s great orchestras such as those of New York, Philadelphia, LA; Royal Concertgebouw Orchestra, Vienna Philharmonic, Leipzig Gewandhausorchester; and major ensembles and festivals on five continents. Since his 1996 Metropolitan Opera debut, Robertson has conducted a breathtaking range of Met projects, including the 2019 production premiere of Porgy and Bess, winning the Grammy Award, Best Opera Recording. In 2022, he conducted its Met revival, and made his Rome Opera debut. Robertson is The Juilliard School’s Director of Conducting Studies, Distinguished Visiting Faculty, and serves on the Tianjin Juilliard Advisory Council. In the 2024-25 season, he celebrates the Boulez Centennial with the New York Philharmonic, Juilliard Orchestra, Aspen Music Festival, and Lucerne Festival Contemporary Orchestra; conducts the orchestras of Philadelphia, Cleveland, San Francisco, Chicago, Seoul, Leipzig, NDR Elbphilharmonie Orchestra, and more. He leads European tours of the Deutsches Symphonie-Orchester Berlin and Australian Youth Orchestra, and continues his term as the inaugural Utah Symphony and Opera’s Creative Partner. Robertson is a Chevalier de l’Ordre des Arts et des Lettres of France.
Violinist
Born in Melbourne in 2007, Christian Li first picked up a violin aged five. He captured international attention in 2018 when he became the youngest-ever winner of the Menuhin Competition, winning the joint Junior 1st Prize.
Soon after, in 2020, Christian became the youngest artist to sign with Decca Classics. His debut album featuring Vivaldi’s Four Seasons was released in August 2021 gathering five-star reviews. Following this success, Christian’s second album Discovering Mendelssohn was released in 2023.
In concerts, Christian has made a series of acclaimed debuts including with the Sydney Symphony Orchestra, Melbourne Symphony Orchestra, Auckland Philharmonia, the Royal Liverpool Philharmonic Orchestra, Oslo Philharmonic, RTV Slovenian Radio Symphony and Macao Orchestra, and has also given recitals in Taiwan, Canada, Norway and the UK. Currently, Christian is the Young Artist in Association with Melbourne Symphony Orchestra, a title he has held since 2021.
Christian performs on the 1737 ex-Paulsen Guarneri del Gesù violin, on loan from a generous benefactor and uses a bow by François Peccatte. He studies with Dr. Robin Wilson at the Yehudi Menuhin School, and with David Takeno in London. In his free time, he enjoys reading, swimming and cycling.
Didgeridoo Player, Vocalist and Composer
William Barton is Australia’s leading didgeridoo player and a highly esteemed composer, instrumentalist, and vocalist.
William first learned the instrument from his uncle, Arthur Peterson, an Elder of the Wannyi, Lardil, and Kalkadunga people. At an early age, he began collaborating with traditional dance groups, fusion/rock/jazz bands, orchestras, string quartets, and mixed ensembles.
Throughout his diverse career, he has forged a path in the classical music world, including performances with the London, Berlin, and Bremer Philharmonic Orchestras, as well as historic events at Westminster Abbey for Commonwealth Day 2019, Anzac Cove in Gallipoli, and the Beijing Olympics.
William holds honorary doctorates from Griffith University and the University of Sydney. He has released five albums on ABC Classic, including Heartland 2022 with Véronique Serret and the words of his mother, Aunty Delmae Barton.
William was named Queensland Australian of the Year and received the Richard Gill Award for Distinguished Services to Australian Music in 2023. He was also an Australian of the Year Nominee. His work with the Australian Chamber Orchestra on the soundtrack of the film “River” won several awards in 2022, including Best Soundtrack Album and Best Original Song Composed for the Screen.
Composer
Peter Sculthorpe was born in Launceston, Tasmania, in 1929. Sculthorpe’s catalogue consists of more than 350 works and, apart from juvenilia, a good part of it is regularly performed and recorded throughout the world. The composer wrote in most musical forms, and almost all his works are influenced by the social climate and physical characteristics of Australia. Furthermore, Aboriginal and Torres Strait Island music and the gamelan music of Indonesia were significant influences upon his musical language.
His preoccupation with the frailty of the human condition can be found in works such as the choral Requiem (2004) and String Quartet No.16 (2006). The former grew from his concern about women and children being killed in the war in Iraq, the latter from the plight of people in detention.
He was Emeritus Professor at the University of Sydney. He also taught at music institutions and universities both within and outside Australia, and held honorary doctorates from Tasmania, Melbourne, Sussex, Griffith and Sydney. In 1977 he was appointed OBE and was the recipient of a Silver Jubilee Medal. He was appointed AO in 1990.