Ahead of applications closing for AYO’s 2024 programs, we sat down with three familiar faces from the AYO community to get their perspectives on tackling video auditions, why young musicians should apply for AYO programs, and more! Check out the videos below.

Three photos of young musicians playing their instruments edited side-by-side.
Violist Jamie Miles (left), percussionist Leah Columbine (centre), cellist Noah Lawrence (right)

Noah, cellist | Part 1

‘Every AYO experience is different – we do everything from performing monumental works like Sibelius’ Second Symphony at National Music Camp, and on the other hand, I really love the work AYO does in the commissioning space.’

Noah, cellist | Part 2

‘The AYO atmosphere is constantly simmering! I’m not in many environments where people are so eager to learn, to refine their craft, and to reap as much as they can out of the compressed time frame AYO is in.’

Leah, percussionist

‘When it comes to video auditions, [my advice is] to record yourself first, then play to as many people as you can. Because you will always find things that you can’t pick up yourself in the practice room, and I feel like that’s the quickest way to improve!’

Jamie, violist | Part 1

‘Some of my fondest musical memories have come from AYO programs, and they’re memories that I will take with me into a career.’

Jamie, violist | Part 2

‘AYO programs are a really meaningful to me, because I get to play repertoire which is really difficult and really musically rewarding, with people I associate with that level of playing and that great atmosphere!’

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